Category Archives: Television

Forbrydelsen Series 3

(warning: includes spoilers through series 3)

Forbrydelsen as a show has always played around with the idea of civic responsibility and personal honor. It was almost fitting that the series would come to an end with Sarah Lund once again faced with the impossible task of seeking justice in an indifferent world. A world where even the best of people would be tempted by their own self interest.

In the case of series three we got to meet a lot of people who were tested and ultimately failed at avoiding that temptation. Ironically it was the kidnapper in the active case that made the most sense to to Lund. He understood the weight of his own actions completely and while he strayed into violence he never thought higher of himself than others. He could empathize with the parents of his kidnapping victim, with Lund as she searched for justice in a world indifferent to it, and desperately wanted someone, anyone to empathize with his murdered daughter. A victim inconvenient to so many people. Empathy was his main weapon but no one but Lund was open to feeling it.

The truth does not change according to our ability to stomach it.
Flannery O’Connor

Choices
In previous seasons Lund was bruised, battered, and brought low by the end of the season. The case would fill her up, but when it was over she was once again empty. Her personal life was a disaster. She was the most alive while acting on behalf of justice. She would fall into obscurity between cases until society would call upon her one more time.

This season started with Lund receiving recognition of a long career. She was moving on to a desk job. She had attempted to start a garden at home even though she had no idea what she was doing and managed to kill all of the plants due to both inattention and trying to grow them in the wrong season. Timing in her personal life was always sadly off. She took in her son’s pregnant girlfriend. Pregnant with a half wanted and half unwanted child. The potential there was not yet realized. Like the plants it was out of season. She ran into her first real love from the academy, and after all those years he had grown into someone almost her equal. He spoke her language of justice and they connected. He was married to someone else though and had a family.

Timing. It was starting to feel like if she was ever going to have a chance at all it would have to be then. The little pieces of a real life were coming together even it was still a dysfunctional one. She could have a half dead garden, a dysfunctional family, and be a home wrecker. For her that was a happy ending and she fought even having that much despite clearly wanting it. She had a chance to live a full life or as close to one as she’d ever get. But she had one last case to get through.

By the end of the show we are at a very familiar situation. Lund knows who the killer in the old case is. The killer that the kidnapper wanted her to catch. The killer no one bothered with for years. The system wanted her to leave him alone though. The evidence was interfered with intentionally and there wasn’t enough left intact to bring him in.

The small bit of evidence she had finally found wasn’t enough to bring him in on it’s own, but it was enough she dared to call him out in private. He confirmed her worst instincts. He killed the girl. He killed girls before. He will kill them again.

The killer recognized her skills, but brushed her off. He was a well connected old man who was more convenient to keep around unpunished than to bring the fabric of the political structure of Denmark down just to bring justice to the death of a nobody. Too much would be disturbed if he and the massive cover up was exposed.

For neither life nor nature cares if justice is ever done or not.
Patricia Highsmith

As the show wound down we found out that all the key players had evidence against this man and all of them were faced with the chance to bring that evidence to the authorities. All of them to a man come up with reasons why they shouldn’t have to though. People who most would consider on the outside to be good people. The progressive politician. The kidnap victim’s father who should feel empathy to the earlier victim who didn’t get a happy ending.

Which left Lund in the car with the killer who would get away and kill more children who live on the fringes of society. She snapped. Got out of the car, opened the back seat door, and shot him in the head without hesitation.

Silent Justice
At the end of series one, Lund and her counterpart Troels, kindred spirits in many ways, were offered two choices. Lund chose the right one which left her as a big inconvenience to those in charge and banished her to lonely barge duty in the middle of no where. Troels chose silence which compromised his personal honor but kept his newly won political position. It was always an interesting question to me as I liked both characters a lot and wanted them to be both happy and right. Not one or the other. I wanted them happy, right and together as they had gone through so much and I’m a romantic at heart, but their different choices would burn that bridge forever.

I find the public passion for justice quite boring and artificial.
Patricia Highsmith

Can you seek justice if society fails to want it? For a person who internalizes the call for justice like Lund does, who exactly was in control when she acted during the time that justice was silent?

Lund seemed so empty at the end. She normally borrows the strength and humanity from the family of the victims who demand justice. That is a welcome burden to her. That is what fills her otherwise listless spirit and is why she seems more alive while deep in a case than at home. In this case, during the final minutes in the car, no one living cared about the long dead girl or was demanding justice for her killer. Lund was cold and empty and searching inside herself for anything. Whatever she found told her what to do and she did it.

I’m not sure what she was thinking after the shooting. During that time her partner was planning out loud on the spot how he’d help her escape with a wad of cash, flimsy documentation, and with a few hours head start. I find it intriguing though.

Revolution

Revolution show started off slow for me. Or rather the pilot was great and then it meandered on this “have to find my brother” quest that really wasn’t a good way to start a show off. It made the least compelling character (the annoyingly golden haired, golden skinned, golden clothed girl Charlie…seriously, her coloring screams jaundice to me) the one more or less in charge of the show. The most interesting character (Miles Matheson) was stuck being the grumpy tag-a-long who has to take the brunt of her constant speeches, admonitions, and stupid plans. Bleh.

Fortunately as we got closer to season 1’s winter break the good started to outnumber the bad. Meaning = Less Charlie! Less Charlie and more of the adults who were the most compelling anyway. In the last episode before the break all of the interesting adults were together and I finally got to see how good this show could be. Will they realize they struck gold or will they go back to Charlie’s annoying adventures? I think that’s what the success of the show will hinge on. Getting the most compelling actors together on screen.

The Best of Flawed Scifi

I am not trying to be mean by making this list. I watched all of these shows. A faithful viewer. Only even while watching I knew they were going to fail. Wash up after a season or two. Fall into tv obscurity. After starting off so brightly in many cases. You get the drift.

My top four failed, misunderstood, and ultimately forgotten scifi shows:

4. Continuum [x]

Wait, you say. This one just started. Yes, but it already is showing all the signs of crashing and burning. With a storyline that should be ripe for awesomeness only a few episodes in we are already having a “troubled teen mother” episode? Don’t get me started on the casting fail of a police partner. He is exhibiting season one Babylon 5 levels of bad acting.

Why should you watch it even if it will likely not get reviewed? The lead actress is Rachel Nichols from The Inside and the green girl from Star Trek and quite capable. The future flashes are also good too, though teasingly so as you know they are short bits and the real plot is contemporary. Maybe I’m just missing Caprica? Ok, guilty. Always guilty of that. -_-,

3. Outcasts [x]

With a cast like this how did it go so wrong? Once again it was a good idea. Decent pilot. And then almost immediately it jumped into desperation plot lines. Unruly teenager. No one seemed competent enough at their jobs to have reasonably been awarded them. Backloading the interesting bits in the season long after people gave up. Everything that happens requiring people to be stupid to progress the plot. I like human colony stories but this one tried to be every issue but that one.

Why should you watch it? Amy Manson’s character Fleur actually got a half decent storyline. They really should have focused on it more as she was central in a lot of the meandering threads of the show.

2. Earth 2 [x]

It was kind of like Dr. Quinn of scifi shows. Part that and part Lost in Space. Very motherly but with spunky single parents and causes. Oh, did this show have a message. I’ll cut it a lot of slack since it was from back in 1994 and I was but a wee thing watching it. It had the same problems as most did with people being stupid being the main way of moving the plot forward. It had no wheels to extend far beyond it’s basic concept. Kids are getting sick and perhaps this planet can help then live? Only the oddest combination of people end up on the planet and oh by the way, the natives are mysterious and if I recall correctly a bit trippy too. Why not throw some Native American-ish flare in there, right? Considering a kickass show like Space Above and Beyond happened just a year later maybe I shouldn’t cut it so much slack.

Why watch it? For me nostalgia. I watched it when it first aired so it is really hard for me to figure out what the experience would be for others. Maybe watch as part of your mid-90s scifi show education. Can’t be having any gaps in your resume.

1. Charlie Jade [x]

We’ve reached “actual good show” territory. While most shows are flawed in how dumb they get, this show’s flaw is assuming too much brainpower from potential viewers. It asked too much. It was like reading a book more than watching a show. I was sure willing to give and give with it and because of that enjoyed it immensely, but getting people to watch to around the fifth episode where things become more self sustaining was near impossible.

Why watch it? South African scifi? Doing multiverse long before Fringe did (and perhaps getting ripped off by Fringe, but that is another tale.) Diversity? The hotness of Jeffery Pierce? 01Boxer? Seriously, why are either guys not leading men on prime time show? Bottom line it is an excellent show if you can stick with it past episode five. It might end up being one of my “test of friendship” shows. Like this show and we will probably work out. If that doesn’t get you this has one of the best bathroom fight scenes I have ever seen. Doesn’t hurt the theme sounded a bit like the soundtrack of Dune.